my work studies the boundary of image. what is the end of one image and the start of another?
the definition of an object in relation to its environment presents a field of tension, which i seek to visualize:
a pin-pricked handrail. a frozen incidence of light. a stream of fish..
this is all casually exhibited in a self-evident way, allowing the boundary between work-of-art and environment to fade for the audience..
dienke nauta | jan 2008 | taos, n e w m e x i c o
viewed from outdoors through a courtyard window, the current exhibition of dienke nauta entitled, ”pillow”, is presented from a further perspective. where the conventional interior view consists of works on opposing walls, this exterior view reveals an overlay of soft sculptures suspended against a backdrop of vaporous treescapes. here one finds an engaging interplay of dienke’s subjects under both intended natural and artificial light.
